BSA Unit Singles Owners Workshop Manual, No. 127: '58-'72
| Author | : | |
| Rating | : | 4.10 (782 Votes) |
| Asin | : | 0856961272 |
| Format Type | : | paperback |
| Number of Pages | : | 118 Pages |
| Publish Date | : | 2017-04-02 |
| Language | : | English |
DESCRIPTION:
Haynes repair manuals are used by the pros, but written for the do-it-yourselfer.. Haynes disassembles every subject vehicle and documents every step with thorough instructions and clear photos
Only very basic information - a disappointment As a very inexperienced mechanic I have found this book of little use to me as the information given is far too sketchy & not detailed enough on the differences between modelsFar too expensive (in Australian dollars) for the information provided.. Only very basic information - a disappointment A Customer As a very inexperienced mechanic I have found this book of little use to me as the information given is far too sketchy & not detailed enough on the differences between modelsFar too expensive (in Australian dollars) for the information provided.. "BSA Lovers" according to Fenway. My husband can't imagine a BSA lover without this tome in his or her private motorcycle library. He's read it multiple times and always finds a new fact or detail he missed. Terrific photos and iillustrations as well.
About the Author John Haynes' previous book Taking the Stage with an introduction by Lindsay Anderson has become a classic of theatre photography. . Haynes continues to work with the leading directors and actors of British contemporary theatre. He was privileged to work alongside Samuel Beckett when he was directing his plays at the Royal Court Theatre in the seventies and John was photographer in residence
John Haynes' previous book Taking the Stage with an introduction by Lindsay Anderson has become a classic of theatre photography. Haynes continues to work with the leading directors and actors of British contemporary theatre. . He was privileged to work alongside Samuel Beckett when he was directing his plays at the Royal Court Theatre in the seventies and John was photographer in residence