Sexuality and Form: Caravaggio, Marlowe, and Bacon

[Graham L. Hammill] Î Sexuality and Form: Caravaggio, Marlowe, and Bacon ↠ Read Online eBook or Kindle ePUB. Sexuality and Form: Caravaggio, Marlowe, and Bacon C. M. Wiggins said Academic Book. Hammills book offers an interesting and much needed discussion of three important men relating issues of sexuality to the formation of their individual arts. Hammill presents his arguement in intriging and complex ways, greatly expanding the boundaries of his field and laying the groundwork for other scholars. I am surprised by the impassioned hatred of the other reviewer. They seem for some reason shocked that a book published by a University press, and using

Sexuality and Form: Caravaggio, Marlowe, and Bacon

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Rating : 4.58 (556 Votes)
Asin : 0226315193
Format Type : paperback
Number of Pages : 227 Pages
Publish Date : 2013-12-24
Language : English

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Readers will leave this book convinced that the flesh cannot be thought of outside a psychoanalytic register." - Julia Lupton, author of Afterlives of the Saints . Hammill's use of humanist, Biblical, and psychoanalytic paradigms and micro-histories to intervene in current cultural studies of homosexuality and 'sexed thinking' is much needed. "Hammill's ability to connect the dots of various disciplines to make a big cultural picture is nothing short of brilliant. It stands head and shoulders above almost all, if not all, books on sex and violence (and outsiderness and cultural impact)." - Bibliotheque d'Humanisme et Renaissance "Breathtaking, substantial, and original. Original, daring, disturbing, polemical and persuasive

This ambitious, wide-ranging study of sexuality, aesthetics, and epistemology covers everything from the aesthetics of war to the works of Caravaggio, Michaelangelo, Christopher Marlowe, and Francis Bacon, synthesizing queer theory and psychoanalysis and demonstrating the role of the body and the flesh as both a problem and a promise within the narrative arts.

C. M. Wiggins said Academic Book. Hammill's book offers an interesting and much needed discussion of three important men relating issues of sexuality to the formation of their individual arts. Hammill presents his arguement in intriging and complex ways, greatly expanding the boundaries of his field and laying the groundwork for other scholars. I am surprised by the impassioned hatred of the other reviewer. They seem for some reason shocked that a book published by a University press, and using the line "Sexuality and Form is an ambitious new study of sexuality, aesthetics, and epistemology--one of the first works of its kind to bring queer theo. "Do not Buy! NOT in English!" according to Lawrence Patrick Johnson. I've been cheated! This book isn't in English, but in academic babble! Before you buy it, try making sense of the very first paragraph:"Sexuality and Form argues that sex is a limit of the civilizing process. It examines some of the epistemological and aesthetic spaces created by Renaissance painting, drama, and science - by Michelangelo Caravaggio, Christopher Marlow, and Francis Bacon, to be more specific - that permit attempts to think sex at the limit of civilized, social judgement. It is my contention that Carravagio, Marlow and Bacon share the attempt to construct experimental lines of sexed thinking - min

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